Shiva 2006 - Redux
Been listening to RGV/Ilaiyaraaja's Shiva 2006 for a week now. 3 out of the 6 tracks are rehashes of Thamizh and Telugu hits of Raaja. I liked 3 songs out of the 6
1) Police Police - (Origial version is "Botany class undu" from Udhayam)
I love the initial build up in this song, especially the percussion and the electric guitar. The bass and backing rhythms (keyoard) are typical vintage Raaja. A tad too loud i the charanams i think...
2) Dheemi Dheemi - The song of the album. Shreya's voice is pure honey. Even if the interludes are very TFM-ish (Raaja domain), one has to be really tasteless not to like this song. Plane la utkarndhu take off aagara madhiri oru 'uplifting' feeling.
Look out for the typical Raaja bass line when Shreya goes "Khil raha yeh ang ang hai"...
3) Saara Yeh Aalam - (Origial version is "Aanandha Raagam" from Panneer Pushpangal). Though nowhere close to the origial [because (i) its to Tamizh-ish for a northern audiece, (ii) i get the feeling as though the orchestration was done by your street-corner 'orchestra'. The percussion sounds pathetic (iii) Roop Kumar Rathod], just the prelude is enough! Must have been a privelege for the Bombay musicians to have played that piece.
IMO, its got some good music but unfortunately it may be too much for the norther listener. All he is used to is a simple tune with simple (and very little) orchestration or a catchy Himesh rythm or that special something from ARR:)
Maybe Ilayaan is like C and ARR is like Java!
1) Police Police - (Origial version is "Botany class undu" from Udhayam)
I love the initial build up in this song, especially the percussion and the electric guitar. The bass and backing rhythms (keyoard) are typical vintage Raaja. A tad too loud i the charanams i think...
2) Dheemi Dheemi - The song of the album. Shreya's voice is pure honey. Even if the interludes are very TFM-ish (Raaja domain), one has to be really tasteless not to like this song. Plane la utkarndhu take off aagara madhiri oru 'uplifting' feeling.
Look out for the typical Raaja bass line when Shreya goes "Khil raha yeh ang ang hai"...
3) Saara Yeh Aalam - (Origial version is "Aanandha Raagam" from Panneer Pushpangal). Though nowhere close to the origial [because (i) its to Tamizh-ish for a northern audiece, (ii) i get the feeling as though the orchestration was done by your street-corner 'orchestra'. The percussion sounds pathetic (iii) Roop Kumar Rathod], just the prelude is enough! Must have been a privelege for the Bombay musicians to have played that piece.
IMO, its got some good music but unfortunately it may be too much for the norther listener. All he is used to is a simple tune with simple (and very little) orchestration or a catchy Himesh rythm or that special something from ARR:)
Maybe Ilayaan is like C and ARR is like Java!